I haven’t read anything about a carnival before and after reading the blurb I was interested! Once I got approved I dove into this book.
Emma has moved back to a small town in Oklahoma with her father while her mother is working overseas. Emma doesn’t want to be there but is trying to make the most of it. She has friends that she knew from when they lived there before so she’s trying to make the best of it by trying to rekindle those relationships. Emma ends up meeting a boy who works in the fortune telling box and this is where our story begins.
I was engrossed after the first chapter. The story is fluid and I honestly lost track of time while reading this. I just had to know how it would end.
I loved both Emma and Ben. The story was told in dual POV and it was pretty easy to read between the two of them. The secondary characters were also great and added so much more to the story. The world building was great as well! I could actually picture the carnival in full swing.
If your looking for a new fantasy to pick up don’t sleep on this book!
Leslie smiles at the girl with a mixture of pride and tentative hope. “It took us a few days to get Sidney set up somewhere else, and I’m sorry about that. But this wagon belongs to the occupant of the box.” Leslie strokes the side of the ladder that leads to the door. “What you’re going through is terrible, we know it is, though we can never truly understand. It’s a small comfort, but we want you to have a place that’s just your own, a place that you can use to escape.”
A weak, wobbly smile lifts the corners of the girl’s mouth as her gaze roves over the outside of the wagon, a shadow of the smile I saw the other night, when she was with her friend. I wonder what it would take to get her to smile for real.
“What about Sidney?”
“Sidney can make do.” Leslie’s smile broadens into a grin. “Have you seen the way he’s been eating? I wouldn’t be surprised to see him waddle out of the cook shack one of these mornings like Templeton the Rat.” She dangles a small copper key from the end of a length of faded red ribbon. “It’s like I said—the carnival owes the person in the box. This is the least we can do for you in return.”
The girl’s hand shakes as she reaches for the key, and she wraps her slender fingers around it tightly, as though she’s afraid of dropping it. I lose sight of her as she steps inside, and all I can do now is hope she likes the wagon.
I turn to head home and feel the sickening lurch as my foot lands in a slick patch of mud and whips out from beneath me. I throw out my arm. A flash of white-hot pain flares through my hand, but I manage to keep my footing. I step out of the mud that had nearly sent me sprawling on my ass, unsure as to how I even missed it in the first place. Then my hand begins to throb.
A gash runs diagonally across my palm. Blood wells from the wound, filling my cupped hand. The pain sets in, a deep pulsing starting in my palm and radiating up my arm. I glance over at the trailer and see a splash of red smeared along a sharp flap of metal. I must have sliced my hand on that as I tried to grab onto something to keep from slipping.
Falling on carnival grounds doesn’t happen; the charm sees to that. But my bloodied hand begs to differ.
About Jaime Questell:
JAIME QUESTELL grew up in Houston, Texas, where she escaped the heat and humidity by diving into stacks of Baby Sitter’s Club and Sweet Valley High books. She has been a book seller (fair warning: book lovers who become book sellers will give half their paychecks right back to their employers), a professional knitter, a semi-professional baker, and now works as a graphic designer in addition to writing.
Author Website: jaimequestell.com